Wednesday, November 20, 2013

The Threshold

Real Talk:  Infinity is not very good.

It's cold, impersonal, and ultimately pretty boring.  Sure, it has some real epic set pieces, but that junk don't make an impact if I don't care about who or what it's impacting.  And don't even get me started on how the whole Thanos thing feels shoehorned into this over-arcing plot about The Builders and the Ex Nilhos;  it's tenuous at best, but mostly it's just terrible.

Not as advertised.

But, even though I complain and complain, I'm still going to buy the final issue next week.  Why?  Because I have the other five.  And therein lies the rub.

It was about a decade ago now when I made the conscious effort to stop buying books on inertia.  If I  wasn't enjoying the direction of the book, the creative team, or was just generally not excited about reading it anymore then I wasn't going to read it anymore.  It's a solid policy that's harder than you'd think to enforce, but aside from the odd Secret Warriors run, I've been pretty good at staying true.  
Except,  I just can never figure out the right time to stop buying a miniseries.

Take, for example, Infinity:  It's first couple of issues were good enough to warrant the buy, but after issue 4 I found myself increasingly disengaged with the story on a whole.  Culminating on the point I find myself at today:  I have five issues of a six issue miniseries, so I feel I need to see how it concludes, but I'm not really excited by it.  

I passed the point of no return and now am bound by my stupid feelings of completion to finish off the series.  It sucks.

So the question is:  Where is that Threshold?  What's the optimal number of issues to buy of a miniseries before making a true decision whether to continue or not.

Clearly, buying the first issue is a given.  It gives you a good sense of the tone, style, and hopefully has some gripping plot point that keeps you going.  A great first issue goes a long way to getting me to buy at least the next two to three issues and or looking out for the eventual trade.  A good one has me looking out for the next issue, and of course a bad one has me never going back to that well.  Seems simple enough, right?

Second issues is where things start getting dicey.  If it's no good, or just generally doesn't expand on the promise of the first, I'm out.  If it's good enough, I'll give it another go around before I opt for something more re-reading convenient.  And therein lies the dicey.  

Third issues are trouble because typically (at least with the newer 6-issue series) this is where something big happens that makes you (or me at least) feel the need to buy the next issue.  Then suddenly your four issues into a series you weren't sure about that's going to end in another issue and you might as well keep the train moving.

In other words, we end up where I am with Infinity.  Bleh.

Ugh.  Just stop.

I find myself at a loss.  I don't know how to solve this little conundrum.  So, how do you get around this?  How do you decide when to stop buying a middling miniseries?  Or better, when do you decide to stop buying single issues and just switch to trades?  

I'm curious if any of you have any tips for me and my issues with issues.

Also, does anyone really like Infinity?  

Tuesday, November 19, 2013

Um... What?

Well...  Looks like I just found something new for my reading list.  Let's hope I can trust Harlan Ellison on this one.

Friday, November 1, 2013

Cocaine's a Hell of a Drug

Before you know it, it'll have you dressed up like a 20-something Santa Claus looking to spread a new gospel.

Just say no.  You know, unless you're into that kind of thing.

From Steve Englehart and Joe Stanton's New Guardians #2 via Comics Should Be Good

Friday, October 11, 2013

If I Was In Charge...

As a life long comic fan, I have strong opinions about the directions my favorite books have taken.  More than often, I'm really happy with how things turn out or at least am surprised by the proceedings.  Sometimes though, I can't help but to yearn for things to turn out differently.  So today we're going to give into ego and delve deep into what I would have done if I was in charge of comics:

- I would have given Young Avengers the title of New Avengers coming out of Disassembled.  Further, I would let these new heroes inspire the old before relaunching a new Mighty Avengers series, essentially following the trajectory of what Bendis wrote.

- I never would have brought back Barry Allen.  He only serves to remind readers of the boring old days while sidelining the truly interesting Flash, Wally West.  Instead, if they really wanted a Barry Allen series, I would have launched a 'Tales of the Flash' series, set in the past and staring Barry.  Then everyone wins…  but I would win more.

- If I was in charge, Spider-Man would still be married.  Call me a sucker for the MJ/Peter love story, but I can't imagine Peter with anyone else.  The only thing that happened when they magically divorced those two was resetting the timer to when they'd get back together.  My money's on 2016.

- I would have Harry Osborn be the mastermind behind the Clone Saga and subsequently becoming the Lex Luthor of the Marvel Universe.  Not only would it make sense in the scope of the story (Harry was behind the Peter's parents are robots plot), but it would have made for a great legacy of villainy for Peter to combat.  Way better than the coffee shop owner/American Son nonsense that we got…

- I never would have cancelled Darkhawk.  He was the greatest hero of the 90s, and didn't deserve the obscurity that he got!

- Instead of relaunching Spider-Girl with the same creative team three times, I would have (on that third try) tried a different team.  Mayday Parker is a great character that didn't deserve the languishing sales and stagnant story progression that she got.  I get that Defalco created her, but you know, even Stan Lee had to give up Spider-Man eventually.

- Assuming that I still went through with the New 52 thing, I would have made a clean break from the past continuity.  If you're going to do something as drastic as the new 52, it doesn't make ANY sense to hold on to bits and pieces.  You may think that you're appealing to the fans, but really you're just making it harder on yourself.

- Honestly, if I was in charge, I never would have done the New 52.  Drastic universe reboots are a surefire way to alienate fans and make it harder to explain stuff to new fans.  "Oh, do you mean Pre-Crisis Batman?  Or Post-Crisis, Pre-Flashpoint?"  Ridiculous!

- I would have canned Chuck Austen after his terrible Romeo and Juliette riff in Uncanny X-Men and would have kept him far away from New X-Men after Morrison left.  That was the worst!

Those are what I would have done.  What about you?

Tuesday, June 25, 2013

About That Man of Steel Ending...

I'm sure most of you, being that this is a comics blog, watched that new Superman movie that hit theaters last week.  And if you did, I'm sure you came away with some opinions.  To say that it's a movie that invites debate is putting it mildly.  

My short, non-spoilery take on the movie is thusly:  At least it was better than Superman Returns.  Then again, it's not hard to be better than a movie that turned the godfather of all superheroes into a creepy date rapist; the bar wasn't that high to begin with.  

As to why I didn't enjoy this new take on Supes, you'll have to cross the desert of knowledge into Spoiler territory.  I got a jet plane, I'll meet you there.

Oh, and no, this isn't about the amount of destruction during those fights.  That's just kinda whatever.

For the record, I don't have a big issue with the redesigned logo.  I think it's looks appropriately alien.

Okay, so, at the big epic (and kinda boring) battle between Zod and Superman ends with Supes straight up killing Zod.  Snapping his neck, in fact, while Zod threatens to incinerate some screaming family.  And that's when the movie lost me.

You see, the whole movie had pretty explicitly set up the idea that Superman was some kind of Space Jesus here to give us an example to look up to and save us from ourselves.  I think the line from Jor-El (the defacto Space-God, I suppose) is something like: "You will give the people an ideal to strive towards."

As long as he doesn't sing, I have no problem with him being a Space-God.

So by killing Zod in front of everyone, the 'ideal to strive towards' Superman has given the people writ large is that it's cool to kill.  Nice message there, Space Jesus.

And you know, it didn't have to be that way.  In fact, they still could have had Zod die at Superman's hands, but not make it as mundane and altogether awful as a neck snap.  In fact, I really thought they were going to do it there for a second too.

Let's take a step back to talk about Zod for a second.  He's established in the movie as putting the prosperity of his people above his own well being, which is a pretty cool motivation.  The reason he tries to overthrow Krypton in the first place is because he feels like the powers that be are driving the society into a new dark age.  We've all been there, I get it.  Then, after he escapes from prison (to put it simply), he's in search of two things to ensure his people survive: a new home world and the genetic macguffin that ensures proper Kryptonian births that was stolen and jettisoned by Jor El.  Later, when Zod finds Superman he learns that the macguffin was encoded into Supes' DNA, making him the be-all-end-all of Krypton.  And, you know, the fight ensues.

Fast forward to the end of the movie, Superman (along with some military friends) have defeated the marauding Kryptonians, leaving Zod alone with a pile of ash.  As he runs his hands through that pile of destroyed dreams, he screams something like "This was all we were.  This was all that was left of Krypton, the thing I was sworn to protect, and now it's gone.  I have nothing to live for!"  Or something like that.

If I had it my way, this would be his one expression for the entire movie.

Now, here's the thing.  In the movie as it plays, Zod rushes Superman and they proceed to punch the shit out of each other for twenty (long) minutes.  However, it struck me that it would make more sense for Superman to point out that, in fact, Superman represents the entirety of the Kryptonian people and therefore Zod should not freak out.

Don't get me wrong, in this fantasy scenario, I still see a big fight occurring, but instead of it just being a verbal tennis match of "I'll stop you", it could have been Superman trying to be the bigger man and trying to stop Zod from hurting himself.

Like, you know, show Superman using his brains and compassion to end the situation instead of just his fists.  Or, to put it another way, to give us an example of how to fight someone that doesn't involve physical superiority.  Or you know, like Jor El said: "Give [us] an ideal to strive towards"

"What should we do, Superman!?!" "Kill'em.  Let my Dad sort'em out."  My hero...

To me, that's the biggest sin of Man of Steel: they spend so much time telling me he's supposed to inspire us, but they never show him doing anything worthy of inspiration.  Sure, he saved some people, but that's just common decency.  What makes someone worthy of idolization is not how they do the simple things, but how they handle the tough problems.  And what Man of Steel told me is that when put in a tough situation, Superman will solve it the easiest way possible:  By killing.

And that is not what Superman is about.

Thursday, April 25, 2013

Heroes for Hire: The Movie!

Or at least an approximation of what the movie post could/would look like if it was a 70s style Grindhouse feature. This may come as a surprise, but if I could will one thing into existence it would be this.

Here's hoping the HoH get some love from Marvel Studios Phase 3!

This chunk of dreams comes from KharyRandolph over on the Deviantart.

Thursday, April 4, 2013

Spider-Man and His Henchmen

Marvel has decreed this week to be 'Superior Spider-Man' week and as such has been releasing all kinds of information on some up and coming Spider-plots. Today's announcement (which you can read here) says that OttoPeter debuts a new look while going after the remnants of Shadowland utilizing new methods that Spider-Man has never ever used before. It comes with this image:

It doesn't take a brain surgeon to gather from this picture that Otto is going to get entrepreneurial and hire some assistants. On the surface, I really dig this idea. I mean, of course a supervillain turned hero would fall back on his old tricks, including and not limited to, hiring lackeys to do his bidding; He'll be like his own street-level SHEILD. Honestly, I'm surprised more heroes don't try doing this. Seems like something Iron Man would have done a few years ago around Civil War when he was trying to save everyone.

Anyway. While I like the possibilities inherent in this idea, it makes me even more concerned about what's going to happen with Peter. Especially considering that at the beginning of the week, the big tease was a more near-future story in which Peter and Otto fight it out to see who will control the body that is Peter Parker.

So... If this happens first and then Spider-Man is hiring help with matching uniforms, I think we can surmise that this is a battle that Peter doesn't win (Also this headline doesn't help). So what happens to him?

My cynical, paranoia addled brain came up with this insane scenario: It all leads to a new clone saga.

Crazy, I know, but hold on. The way I see it, the way to expel Peter would be to give it a psyche for it to exist: cue clonage. What with the Jackal running around again in the books and an emphasis on 90s storylines (I'm looking at you Scarlet Spider!), it's not that big of a leap to consider that happening. Then, Original Recipe Peter exists in a new cloned body while Otto runs around in the old meatsuit which allows for all the neat storytelling of OttoPeter to continue while not totally ruining Peter.

So then, after the story has run it's course, you can have Peter wake up in his cloned body and go fight Otto. I see it ending something like this:

Admittedly, most of this crazed idea comes exclusively from Otto's new suit looking like Ben Reilly's, but who's to say that makes it any less valid?

I could go further with my crackpot theories involving the age of this supposed cloned Peter, but it makes so much sense that it scares me. Also, we seem to be at our limit for crazyness today. Maybe later... if you're lucky.

Wednesday, February 27, 2013

Armor Bros.

Two of the Earth's greatest heroes bonding over their secret shame.

Shameless stolen like Jim's super suit from Chris Gerringer. See more of his stuff at his website

Monday, January 21, 2013

Don't Go To Sleep

Checking the Marvel Solicits for April, I saw this:

I can't tell you how excited I am for this. Between Darkhawk's big supporting role in Avengers Arena, rumors of the return of Spider-Man 2099, and this, 2013 looks to be the year the 90s returns in force.

I only hope this means a return of The Slingers by January. I mean, I know it doesn't, but a man can hope, right?

Friday, January 18, 2013

Previously on X-Men

Once upon a time, I loved watching this show every Saturday morning; It was the highlight of my week! It was this big serious show that dealt with all the stuff I loved about the X-Men, even if it didn't feature any of my favorite characters (I was an X-Force kid through and through).

That said, watching that video, I'm surprised I still like the X-Men. I don't remember that show being quite that wacky...

Wednesday, January 16, 2013

The Deathlok That Could Have Been

Lately I've been on something of a Deathlok kick, so color me excited when I saw this image while scanning the internet:

And then imagine my disappointment when I discovered it was from a cancelled series from 2003 by Daniel Way and Darick Robertson. Apparently it was going to be about another new Deathlok (move over Luther Manning, Michael Collins, and Jack Truman) in a new hyper violent future ruled by corporations or whatever. Also, given the art that was released, it seemed to feature some kid controlling my favorite future cyborg, so I'm guessing that would have been a story point too.

Oh what could have been...

Although, given the year it would have been released and Way's penchant for decompressed non-action (see his new Thunderbolts series as an example) I could see this series being all promise and no follow through. I guess we'll never know.

Now, if Marvel would just get off their ass and let Jason Aaron write a Deathlok series, I could stop pining over this thing.